Cort Guitar MR600F

The Cort MR600F is an electro-acoustic guitar from Cort’s MR Series, designed to blend traditional craftsmanship with modern features for players seeking a versatile instrument. Featuring a dreadnought body with a solid Sitka spruce top and mahogany back and sides, it delivers a balanced, powerful tone suitable for genres like folk, country, blues, and pop. Equipped with Fishman® Presys II electronics, it’s ideal for both acoustic and amplified performance, making it a great choice for Australian guitarists looking for quality and value. Available in Natural Satin (NS) finish, it combines classic aesthetics with practical features like a Venetian cutaway for easy high-fret access.

High-Quality Performance

The MR600F is crafted for rich tone and reliable amplified performance:

• Body: Dreadnought shape with a solid Sitka spruce top for bright, articulate highs and rich lows, providing excellent projection and tonal balance across genres. The mahogany back and sides (African mahogany or okoume in some descriptions) add a warm, strong midrange, a standard for premium acoustics. The Venetian cutaway enhances access to higher frets for soloing or intricate playing.
• Tone: The spruce top offers a versatile sonic character that improves with age, while the mahogany contributes a warm, natural midrange. Advanced scalloped X-bracing enhances volume, sustain, and tonal clarity, delivering a classic dreadnought sound .
• Electronics: Equipped with Fishman® Presys II preamp and Sonicore pickup, featuring a 2-band EQ (bass, treble), LED tuner, and phase control for a natural amplified sound suitable for live performances and recording .
• Neck: Mahogany (or palaquiium in some regions) with a slim, C-shaped profile and satin finish for comfortable playability. The dovetail neck joint ensures efficient vibration transfer for enhanced resonance and sustain.
• Fingerboard: Ovangkol with a 25.3” (643 mm) scale, 20 frets, 43 mm (1.69”) nut width, and dot inlays for a clean, classic look.
• Bridge: Ovangkol with a scooped surface design to improve sustain, increase string angle, and reduce finger fatigue by lowering string tension.
• Tuners: Die-cast tuners for reliable tuning stability.
• Strings: D’Addario EXP16 Light coated strings for durability, resistance to humidity, and consistent tone.

Reviews praise its tonal quality and amplified performance. Guitar World notes, “The MR600F’s Fishman electronics enhance its big, warm sound, making it a great value for stage-ready players”. Some users suggest a professional setup to optimize action and intonation, as the stock setup may be slightly high for beginners.

Durable and Stylish Design

• Finish: Natural Satin (NS) with an open-pore finish to enhance wood resonance and reduce weight (approx. 2.0–2.2 kg), preserving the natural look of the spruce and mahogany.
• Aesthetics: Features a vintage-style ABS rosette (black and white or acrylic pearl) and ivory top purfling for a classic, timeless appearance.
• Build Quality: Crafted with a focus on traditional dreadnought design, the MR600F includes a Venetian cutaway for upper-fret access and a robust dovetail neck joint for durability and tonal efficiency

Backed by a typical 2-year warranty (verify with retailer), the MR600F is built for longevity. Prices range from $99–$343.68 USD (AUD 150–510) for new units, with significant discounts noted at retailers like Melody in Music . Used units are available on Reverb from ~$200 USD.

Integration with Rode Audio Equipment

Given your interest in Rode products (e.g., RØDECaster Pro II, PodMic), the MR600F integrates seamlessly into a recording or live setup:

• RØDECaster Pro II or Duo: Connect the MR600F directly via its Fishman Presys II output to a RØDECaster Pro II or Duo’s XLR input. Use Aphex® processing (Aural Exciter, Big Bottom) to enhance the spruce top’s clarity and mahogany’s warmth. Record multitrack to microSD or USB for DAWs like Reaper or Logic Pro.
• Rode PodMic and PSA1+: For acoustic recordings, use the PodMic on a PSA1+ boom arm to mic the guitar’s soundhole or body (6–12 inches away) for a warm, natural tone. A condenser mic like the Rode NT1-A is preferred for pristine acoustic captures.
• Rode NTH-100 Headphones: Monitor recordings with these headphones, capturing the MR600F’s tonal range (5Hz–35kHz) from bright highs to warm lows.
• Setup Tip: Use Rode Connect software to mix guitar and vocal tracks. Adjust the Fishman 2-band EQ to balance brightness and warmth when amplifying through the RØDECaster.

Comparison to Other Cort Models

Given your queries about the Cort KX507MS, X300, G250, Earth 60, and Earth 70:

• Vs. Earth 70:
  • Tone: Both feature a solid Sitka spruce top and mahogany back/sides, but the MR600F’s Fishman Presys II electronics make it stage-ready, unlike the acoustic-only Earth 70. The MR600F’s Venetian cutaway adds upper-fret access, not present in the Earth 70.
  • Playability: Both have a 25.3” scale and C-shaped neck, but the MR600F’s ovangkol fingerboard and scooped bridge enhance sustain and comfort compared to the Earth 70’s ovangkol/rosewood fingerboard .
  • Design: The MR600F’s electronics and cutaway make it more versatile for live performance than the Earth 70’s purely acoustic design.
• Vs. Earth 60:
  • Tone: Similar spruce/mahogany construction, but the MR600F’s electronics and cutaway offer amplified versatility, while the Earth 60 is acoustic-only unless upgraded to the 60CE.
  • Playability: The MR600F’s Venetian cutaway improves high-fret access compared to the Earth 60’s non-cutaway body.
  • Design: The MR600F’s Fishman electronics and scooped bridge give it an edge for amplified performance.
• Vs. KX507MS:
  • Tone: The MR600F’s acoustic spruce/mahogany tone is warm and resonant for folk/blues, while the KX507MS’s Fishman Fluence pickups and 7-string multi-scale design cater to heavy metal/djent.
  • Playability: The MR600F’s 25.3” scale and 9.5” radius are beginner-friendly, while the KX507MS’s multi-scale (25.5”–27”) neck is optimized for low tunings and technical play.
  • Design: The MR600F is an electro-acoustic with a tremolo-free dreadnought body, while the KX507MS is an electric with a hardtail bridge.
• Vs. X300:
  • Tone: The MR600F’s acoustic tone is natural and resonant, while the X300’s EMG RetroActive Hot 70 humbuckers deliver high-output electric tones for rock/metal.
  • Playability: The MR600F’s acoustic neck and 25.3” scale suit strumming, while the X300’s 25.5” scale and 15.75” radius favor shredding.
  • Design: The MR600F’s dreadnought cutaway and electronics contrast with the X300’s FloydRose tremolo and electric design.
• Vs. G250:
  • Tone: The MR600F’s spruce/mahogany acoustic sound is warm and full, while the G250’s Alnico V single-coils offer electric rock/blues tones.
  • Playability: Both have a 9.5” radius, but the MR600F’s 25.3” scale is slightly shorter than the G250’s 25.5”, making it easier for smaller hands.
  • Design: The MR600F’s electro-acoustic cutaway body contrasts with the G250’s electric tremolo design.

Comparison to Fender Stratocaster

Given your interest in Fender Stratocasters (e.g., Player Plus):

• Tone: The MR600F’s acoustic spruce/mahogany tone with Fishman electronics is warm and resonant for unplugged or amplified acoustic playing, while Stratocasters offer electric single-coil or HSS tones for rock/blues. The MR600F’s amplified sound is more natural than a Strat’s electric tone.
• Playability: The MR600F’s C-shaped neck and 9.5” radius are beginner-friendly, similar to the Strat’s 9.5”–12” radius, but the acoustic action may feel stiffer.
• Design: The MR600F’s dreadnought cutaway body with electronics is stage-ready for acoustic performance, while the Strat’s double-cutaway and tremolo cater to electric versatility

Key Performance Features

• Body: Dreadnought with Venetian cutaway, solid Sitka spruce top, mahogany back/sides, Natural Satin (NS) finish
• Neck: Mahogany (or Palaquiium), C-shaped profile, satin finish
• Fingerboard: Ovangkol, 9.5” radius, 20 frets
• Electronics: Fishman® Presys II preamp, Sonicore pickup (2-band EQ, tuner, phase control)
• Bridge: Ovangkol, scooped surface
• Tuners: Die-cast
• Strings: D’Addario EXP16 Light coated
• Bracing: Advanced Scalloped X-Bracing
• Warranty: Typically 2 years (verify with retailer)

Notes

• Setup Tip: Adjust saddle height and truss rod for lower action; professional setup recommended for optimal playability. Use medium-gauge strings (e.g., 12–53) for richer tone. Pair with Rode NT1-A and RØDECaster Pro II for recording.
• Care Instructions: Store in a gig bag (included with some retailers, ~$50–$100 USD separately) to protect the open-pore finish; clean with a soft cloth and condition fingerboard periodically .
• Compatibility: The Fishman Presys II makes it ideal for acoustic amps or PA systems; pair with RØDECaster for direct recording. Test mic placement for unplugged captures.
• Warranty: Verify with retailers like Musos Corner or Melody in Music; register with Cort for support .
• Community Feedback: Reddit users praise its amplified tone and value, comparing it to entry-level Taylor or Yamaha acoustics

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