The K.2 Series can function as either the Main PA or as a Floor Monitor. Each model can also be flown, wall- or truss-mounted or placed on a speaker pole, either straight-firing or with 7.5 degree down-tilt. This flexibility makes it a smart choice for a wide range of live sound applications.
Superbly flexible, the K.2 Series provides its operators with a library of preset contours for common applications such as Stage Monitor, Dance Music, Musical Instrument Amplification, Hand-held Microphone and more, while also offering storable Scenes to recall user-configurable settings such as input type, delay, EQ, cross-over and selected contour. Operated as either main PA or as a floor monitor, each model can also be flown, wall- or truss-mounted, or placed on a speaker pole, either straight-firing or with 7.5-degree down-tilt.
Three inputs are on the back. Inputs A and B feature combo XLR-1/4″ connectors. Input A offers a Microphone input or a Line input—convenient if you’re using a mixer to combine multiple input sources. Input B offers a Mic/Hi-Z selection, with the Hi-Z input designed for guitars. Input C features a stereo 3.5mm TRS auxiliary input for connecting portable audio devices including phones and MP3 players.
Individual gain controls on the inputs allow the speaker to function as a 3-channel mixer. Combine two microphones for presentations, or combine a mic, instrument, and backing tracks for singer/songwriter gigs. All the PA speakers in the K.2 Series can also be used as floor monitors, giving them added versatility.
Inputs A and B also feature XLR Thru-Outputs for daisy-chaining to additional speakers or other audio equipment. All three mono inputs are mixed to a mono signal internally and are passed-thru the Mix Out XLR connector. For a true stereo L/R operation, two K8.2s are needed with each to receive independent the left and right signals respectively.
QSC’s Directivity Matched Transition (DMT) matches the angle of the woofer and the horn to ensure consistent, high-quality sound across the entire coverage area. The Intrinsic Correction techniques ensure a smooth power response, resulting in accurate performance in a wide range of acoustic spaces with little or no EQ. The K8.2 includes a power cord.
Presets: Select from an extensive list of factory presets for your application
- DEFAULT: The basic voicing of the loudspeaker
- LIVE: For live sound reinforcement and vocal clarity
- LIVE BRIGHT: Similar to LIVE with some high-frequency boost to balance the sub
- DANCE: Low- and high-frequency emphasis
- STAGE MONITOR 1: For most stage monitor uses, reduces excessive bass build-up on stage
- STAGE MONITOR 2: For stage monitor use when low-frequency reproduction is needed
- AC GUIT / VOX: For acoustic guitars and VOX
- BASS AMP: For direct connection of bass instruments
- HAND MIC: For speech intelligibility and feedback reduction using a handheld microphone
- HEAD MIC: For speech intelligibility and feedback reduction using a head microphone
- STUDIO MON: For use as a recording monitor
SUB Menu: Select a setting to match with a subwoofer
- NO SUB: For use without a subwoofer
- 80 Hz KS: Applies an 80 Hz High-Pass Filter (HPF)
- 100 Hz K – KW – KLA: Applies a 100 Hz High-Pass Filter (HPF) (for use with a K-SUB, KW Sub, or KLA Sub)
- 125 Hz: Applies a 125 Hz High-Pass Filter (HPF)
Scenes: Savable and recallable Scenes can store information like user EQ, Delay, and input configuration settings
- EQ: Adjust the 4-band, parametric equalizer
- High-Shelving Band: 1 to 10 kHz (0 dB to -6 dB)
- EQ1: 50 Hz to 20 kHz (0 dB to -6 dB, 0.4 to 4 Q)
- EQ2: 200 Hz to 20 kHz (0 dB to -6 dB, 0.4 to 4 Q)
- Low-Shelving Band: 100 to 500 Hz (0 dB to -6 dB)
- DELAY: Adjust the signal delay for rear fill and similar applications
- 0 to 100 ms, 0 to 113′ (all units of measure change together when the Selection knob is turned)
- 2000W (peak) of detailed sound for small venues, conferences, and events.
- Designed with very low-noise fan cooling, can be used in settings where background noise must be kept to a minimum.
- Subtle, sophisticated dynamics processing protects the drivers from damage and the performance from distortion
- Suspended from above
- Placed on a tripod stand
- Placed on a pole mount on top of a subwoofer
Floor Monitor
- Use on its side
- Use vertically
- Intrinsic Correction tuning and loudspeaker management
- Directivity Matched Transition (DMT) design provides excellent power response and consistent performance across the listening area
- Refined, professional appearance looks great in any application
- Rugged ABS enclosure for long life and lasting durability
- Dual pole cup mounts (standard and 7.5 degree down-tilt)
- M10 fittings for flown applications
- Optional security panel prevents unauthorized tampering of controls
- 6-year warranty with product registration
More Than Sound – It’s an Experience. Audio Shop Australia.
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