Flexible Audio Solution for Studio and Stage
The Rode M3 Versatile End-Address Condenser Microphone in Black is a highly adaptable cardioid condenser microphone designed for musicians, engineers, and content creators across Australia. Engineered for studio, stage, and location recording, it features a 1/2-inch condenser capsule, dual power options (phantom or battery), and robust construction. With a smooth frequency response and switchable features, the M3 excels for vocals, acoustic instruments, percussion, and more, offering professional quality at an accessible price point.
Exceptional Sound Quality
The M3 is equipped with an internally shock-mounted 1/2-inch electret condenser capsule, delivering a smooth, wide frequency response (40 Hz – 20 kHz) with a subtle presence peak around 10 kHz for enhanced clarity. Its cardioid polar pattern minimizes off-axis noise, making it ideal for focused recordings in noisy environments, such as live gigs or outdoor shoots. With a low self-noise of 21 dBA and a high SPL handling of 142 dB, it captures everything from delicate vocals to loud guitar amps without distortion. A selectable high-pass filter (80 Hz, 12 dB/octave) reduces low-frequency rumble, and switchable -10 dB and -20 dB pads (accessed via the battery compartment) allow recording of high-output sources like snare drums. Users praise its crisp, natural sound for acoustic guitar and mid-side stereo recording, though it may require a preamp with sufficient gain for quieter sources due to its moderate sensitivity (6.3 mV/Pa). Compared to the AKG C1000S, the M3 offers smoother response and greater headroom.
Durable Design with Versatile Features
Crafted in Rode’s Sydney, Australia facilities, the M3 features a heavy-duty, all-metal body with a heat-treated, welded mesh head for durability. Weighing 390 g, it feels solid yet manageable for handheld or stand-mounted use. The microphone supports dual power options: 24–48V phantom power or a 9V battery (up to 200 hours of operation), with a battery status LED for convenience. The internal shock mount minimizes handling noise, though a dedicated shock mount (e.g., Rode SM2) is recommended for critical studio work. The kit includes an RM3 stand mount, a WS3 foam windshield for light wind or plosive protection, and a ZP1 zippered pouch for storage. Users note the sturdy plastic carry case adds portability but recommend a furry windscreen (e.g., Rode DeadCat) for outdoor recording. Backed by a 10-year warranty (with registration at rodemic.com), the M3 is built for long-term reliability. Some report the battery compartment’s pad switches are less intuitive to access.
Key Performance Features
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1/2-Inch Condenser Capsule – Cardioid pattern with smooth, crisp sound (40 Hz – 20 kHz)
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Dual Power Options – 24–48V phantom power or 9V battery (up to 200 hours)
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Low Self-Noise – 21 dBA for clean recordings in diverse environments
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High SPL Handling – 142 dB with -10 dB/-20 dB pads for loud sources
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Switchable High-Pass Filter – 80 Hz (12 dB/octave) to reduce rumble
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Rugged Metal Body – Heat-treated mesh head and internal shock mounting
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Included Accessories – RM3 stand mount, WS3 foam windshield, ZP1 zippered pouch
Notes
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Requires a high-quality XLR cable (not included) and 24–48V phantom power or a 9V battery; ensure phantom power is disabled when using battery to avoid issues.
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For outdoor recording, pair with a furry windscreen (e.g., Rode DeadCat) to reduce wind noise, as the included WS3 is less effective in strong winds.
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The moderate sensitivity may require a preamp with sufficient gain (e.g., Cloudlifter) for quieter sources or low-gain interfaces.
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Users on X and reviews praise its value (~$150 USD) for budget studios, comparing it to the Shure SM57 for versatility but noting it’s less suited for stage vocals due to feedback sensitivity.
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Register at rodemic.com to activate the 10-year warranty; verify retailer authenticity to ensure warranty eligibility.
Why Choose Audio Shop Australia
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More Than Sound – It’s an Experience, Audio Shop Australia.
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